The Coastal Town as a Topos in the Norwegian Novel of the Late 19th Century
A significant proportion of the authors we associate with the Modern Breakthrough in Norway (Bjørnson, Ibsen, Kielland, Lie, Skram, Garborg), seem to make use of the coast town, and other communities along the Norwegian coast, as literary settings. Few literary scholars have commented on why this particular spatial object gains influence. This leads me to ask: Who took part and helped shape the literary-geographical imaginary of the coast-town? Was it shaped also by non-canonized, ‘forgotten’ authors? Is there a special connection between ideology and form on the one hand, and the figure of the coast-town on the other?